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Allie and I watched The Awful Truth last night. Wonderful movie. It's about this perfect couple that gets suspicious of one another and hastily files for divorce. The break up begins to fall apart over the issue of who keeps the dog, Mr. Smith, or Smitty, who delivers an Oscar-worthy performance. Needless to say, it was the perfect movie for a couple of dog-loving freaks like us. We both long
Seen any good movies lately? If current films about talking Chihuahuas or saw-wielding killers don't spark reel excitement, here's your ticket to check out some classics from Hollywood's golden past.
Fred and Ginger in Roberta (1935) tap dancing: We watched this on TCM this evening. Irene Dunne and Randall Scott were the couple in love, and these two were old friends who got engaged. What a great film! http://screen-shots.blogspot.com
Click Here to download full episode If you’re looking for star power and magical musical numbers, look no further. This 1935 classic stars Randolph Scott as an American football player who finds romance with a Russian aristocrat (Ginger Rogers) in Paris. Irene Dunne and Fred Astaire also star in the film that gives us legendary standards [...]
By Dan Callahan As the star of three bona fide comedy classics, It Happened One Night (1934), Midnight (1939) and The Palm Beach Story (1942), Claudette Colbert is at least as well-known as contemporaries like Jean Arthur, Carole Lombard and Irene Dunne, but she was primarily a star for Paramount Studios, which means that many of her films are out of circulation on television. Looking at her filmography,...
Old Hollywood peaked that year, giving us everything from Gunga Din to Gone With the Wind to Stagecoach to The Women -- which is why you'll want to miss the new remake of the last.
Hollywood's first family of movie make-up is to be honoured with a star on the Walk of Fame. Marvin and Michael Westmore will unveil the 2,370th star near the corner of ...
We've been spoiled the last two weeks by humdinger episodes, and this was a slower, moodier night of TV. But it opened with a bang, as our Mad women prepared for battle as a modern-day Decemberists song blared in the background. The tension of the entire evening was laid out in that first scene as Betty armed herself in white lingerie and Joan swathed herself in blue and black. They are the archetypal...
We've been spoiled the last two weeks by humdinger episodes, and this was a slower, moodier night of TV. But it opened with a bang, as our Mad women prepared for battle as a modern-day Decemberists song blared in the background. The tension of the entire evening was laid out in that first scene as Betty armed herself in white lingerie and Joan swathed herself in blue and black. They are the archetypal...
LET'S DO IT AGAIN is a musical remake of the Cary Grant-Irene Dunne classic THE AWFUL TRUTH (1937). While not on a par with the original, this time around the leads are played by Ray Milland and Jane Wyman, two Oscar-winning actors who had previously costarred in THE LOST WEEKEND (1945), and the film is quite enjoyable on its own terms. Milland plays a Broadway composer and Wyman is his musical actress...
Wonderful actress. Fluid, emotional, easy on the eye, funny, deep, unconventional in some of her responses, she creates characters - and very specifically - she does not repeat herself - and you also don't catch her working. It looks...
Cowpokes marrying city women seems to be a theme of my viewing this week. A couple nights ago I watched THE COWBOY AND THE LADY , and I followed that up tonight with NEVER A DULL MOMENT, which is the story of a Broadway composer (Irene Dunne) who leaves Park Avenue for the "wild west" when she marries a rancher (Fred MacMurray). The film is fairly predictable and very silly, but thanks to its cast...
Penny Serenade, 1941, b&w. George Stevens (dir.), Irene Dunne, Cary Grant, Beulah Bondi, Edgar Buchanan. 1:59 [1:57]. Great stars, a generally good print, good soundtrack—but I found this one disappointing. It’s told entirely in flashbacks as Irene Dunne plays records from the “Album of a Happy Marriage” as she’s about to walk out the door. Seems [...]
Sandrine Bonnaire Favorite Films: À nos amours (Maurice Pialat, 1983), Vagabond (Agnès Varda, France), Joan the Maid (Jacques Rivette, 1994), The Ceremony (Claude Chabrol, 1995) Irene Dunne Favorite Films: The Awful Truth (Leo McCarey, 1937), Love Affair (McCarey, 1939) Setsuko Hara Favorite Films: Late Spring (Yasujiro Ozu, 1949), Early Summer (Ozu, 1951), Tokyo Story (Ozu, 1953), Sound of the Mountain...