The Charles Theater, 193 Avenue B, NYC. Chuck Workman - 2009 Calliope Films For some viewers, Visionaries might serve as an introduction to the film that has been labeled underground, avant-garde, and briefly, New American Cinema. For myself, the...
Céline and Julie Go Boating (1974) .. Jacques Rivette Gertrud (1964) .. Carl Theodor Dreyer The Green Ray (1986) .. Eric Rohmer Chimes at Midnight (1965) .. Orson Welles Early Summer (1951) .. Yasujiro Ozu Late Spring (1949) .. Yasujiro Ozu Sans Soleil (1983) .. Chris Marker L'Atalante (1934) .. Jean Vigo The Spirit of the Beehive (1973) .. Victor Erice Au Hasard Balthazar (1966) .. Robert Bresson...
L'Atalante (1934) .. Jean Vigo The Spirit of the Beehive (1973) .. Victor Erice Au Hasard Balthazar (1966) .. Robert Bresson Tokyo Story (1953) .. Yasujiro Ozu Man with a Movie Camera (1929) .. Dziga Vertov La Règle du Jeu (1939) .. Jean Renoir Playtime (1967) .. Jacques Tati L'Avventura (1960) .. Michelangelo Antonioni Sunrise (1927) .. F.W. Murnau The Conformist (1970) .. Bernardo Bertolucci...
The term animated documentary can still upset a truth-seeking purist But over the last few years our understanding of what a documentary is has expanded from the narrow direct cinema cinema v eacute rit eacute definition of the 1970s and the 1980s A more inclusive definition with room for both classic documentaries like the European city symphonies of the 1920s and the personal film essays of the 1990s...
Urban Planner is Torontoist's guide to what's on in Toronto, published every weekday morning, and in a weekend edition Friday afternoons. If you have an event you'd like considered, email all of its details—as well as images, if you've got any—to events@torontoist.com . Still from Chris Marker's Sans Soleil , the opener for Jean-Pierre Gorin's month-long series on the essay film. Courtesy...
WorldChanging: Tools, Models and Id (Free subscription) | 10/21/2009
Ethan Zuckerman: US politicians talk a lot about Main Street. But what does Main Street actually look like in contemporary America? That’s what Harvard PhD students...
US politicians talk a lot about Main Street. But what does Main Street actually look like in contemporary America? That’s what Harvard PhD students Jesse Shapins and James Burns, and journalist Kara Oehler, along with public radio producer Ann Heppermann, are doing with their “collaborative documentary”, “Mapping Main Street“. Shapins, Burns and Oehler are speaking at...
DJ Spooky, aka Paul D. Miller, and Thirsty Ear Recordings will be hosting a listening and viewing event for Paul's new album titled 'The Secret Song' on Tuesday October 6th at Brooklyn Bowl ...
At last night's branch meeting of Stoke Socialist Party , Brother R debuted with a look at Soviet cinema and how it developed from its early revolutionary period into the conservative "socialist realist" productions under Stalin. This is a slightly re-edited version of his lead off. Soviet cinema could be said to have begun in 1919 when Lenin signed the Council for People's Commisars decree,...
Neo-realism occupies an important position for Deleuze in his Cinema books. It represents the break-point between the classical cinema of the movement-image, the subject of Cinema 1 (2005a [1983]), and the modern cinema of the time-image, the subject of Cinema 2 (2005b [1986]). Prior to engaging with these works, which will form the core of my Deleuzean reading of Leone, Argento and Questi's key films,...
On Thursday the Tank, a nonprofit arts presenter based at the 45th Street Theater, introduced a new classical-music series with a pair of inventive concerts.
ESPAÑOL " La experiencia de todos los movimientos liberadores confirma que el éxito de la revolución depende del grado en que participen las mujeres " Lenin, 1918 Reproducimos la pelicula filmada por Dziga Vertov en 1934 en Maoismo.org (en inglés). Haga clic en éste enlace: Tres Canciones de Lenin . ENGLISH " The experience of all liberation movements...
Lecturer in Media/Communications at the University of Stirling , author of Alan Clarke (2005) and many film/TV articles, editor of Play for Today . Rules for myself: no more than 1 film per director, apart from directors who make it impossible. I deleted some favourites in that pompous way we do when compiling lists (as if the list would be destabilised by random 24 Hour Party People, A Hard Day’s...
Some films are so revolutionary, so influential, that their sui generis originality and verve can still be felt even decades after their first impact, long after their innovations have been absorbed by subsequent generations. Dziga Vertov's Man With the Movie Camera is this kind of film, retaining much of its power and irresistable energy despite the nearly eighty years that have passed since its creation....