Lubitsch in Berlin (The Doll/Ernst Lubitsch in Berlin/The Oyster Princess/I Don't Want to be a Man/Sumurun/Anna Boleyn/The Wildcat) (5pc)
DVD Times (Free subscription) | 11/17/2009
News: Eureka Entertainment have announced the UK DVD release of Lubitsch in Berlin as part of their Masters of Cinema Series on 25th January 2010 priced at £49.99 RRP. Before he arrived in Hollywood to leave his indelible (and inimitable) mark on timeless ...
Christmas Matters (Free subscription) | 11/10/2009
The title makes this post sound very exotic, but it's 'far' in terms of distance from the UK. The two films I'm posting about here are excellent seasonal movies - at least one of them is a classic - but they're only currently available on Region 1 DVDs, from the US. So when it comes to getting hold of them, it's an idea to track one down nice and early.The first is Christmas In Connecticut, a
Hollywood Elsewhere (Free subscription) | 11/06/2009
MCN's Gurus of Gold, finally up and running, have Up In The Air in the top Best Picture prediction slot, fine, followed by Precious and The Hurt Locker. Wait...they have A Serious Man in tenth place following the unseen Invictus, Nine and The Lovely Bones, and one slot behind Inglourious Basterds? Am I reading this correctly? Jokey-dokey, baseball-bat-and-gloppy-brain-matter Basterds -- a movie costarring...
A Boat Against the Current (Free subscription) | 11/04/2009
Ninotchka ( played by Greta Garbo ): “What have you done for mankind'” Count Leon D'Algout ( played by Melvyn Douglas ): “Not so much for mankind... for womankind, my record isn't quite so bleak.”— Ninotchka (1939), screenplay by Charles Brackett, Billy Wilder and Walter Reisch, story by Melchior Lengyel, directed by Ernst Lubitsch Ninotchka premiered on the nation’s...
The New Yorker - Arts and Culture (Free subscription) | 11/02/2009
paragraph class="noindent"> Hollywood has always been a haven for immigrants with talent. One of the greatest, Ernst Lubitsch, arrived there from Germany in the early nineteen-twenties, not pushed by political turmoil but pulled by money. American wealth is at the heart of his 1938 comedy, “Bluebeard’ . . .
Hugger Food (Free subscription) | 10/26/2009
Although it has been a long while since I was last there, I used to attend screenings of restored classic films through the UCLA Film & Television Archive very often. The best films I saw there were Ernst Lubitsch 's The Smiling Lieutenant (1931) and One Hour with You (1932). Oh, how I wish those were available on DVD to watch anytime I'd like. This is supposed to be about the food, though, and...
Something Old, Nothing New (Free subscription) | 10/25/2009
Comments on a previous post bring up a good point about special effects: it seems like every Hitchcock movie has a special effect or process shot that's just plain terrible. It often involves rear projection, which Hitchcock embraced enthusiastically but never used convncingly; Notorious , where rear-projection shots were used for every outdoor scene in Brazil, makes the characters look like they're...
Ivoland! (Free subscription) | 10/21/2009
Movie: The Smiling Lieutenant (1931) “Lieutenant Niki of the Austrian royal guard has a new girlfriend, Franzi. He’s crazy about her, and is smiling at her ...
The Observer (Free subscription) | 10/14/2009
His early death sealed his reputation as a rising Hollywood talent. But how would the late actor's career have developed after The Imaginarium of Doctor Parnassus? Heath Ledger, in his final role as the mysterious outsider Tony in The Imaginarium of Doctor Parnassus, will probably be kept from strict considerations of acting genius by the traditional frolic and froth of a Terry Gilliam picture. Which...
Fleapit of the Mind (Free subscription) | 10/09/2009
Straight away I have to admit that if I have a blindspot amongst the acknowledged great directors, it is Ernst Lubitsch. People rave about "the Lubitsch touch" but his films just waft over me leaving no real impression. I couldn't really tell you why and I'm quite happy to admit that the fault probably lies completely with me. A ROYAL SCANDAL was a Lubitsch project but illness prevented him...
Edward Copeland on Film (Free subscription) | 10/06/2009
By Edward Copeland The words that appear on the screen at the opening of Ernst Lubitsch's Ninotchka , 70 years old today, tells us that the film is set in Paris at the time when a siren was a brunette not an alarm and that when a Frenchman turned off a light, it wasn't because of an air raid. You have to think that those words came from the typewriters of Billy Wilder and Charles Brackett, who are...
The Telegraph (Free subscription) | 09/18/2009
Friedrich Wilhelm Murnau; George O'Brien. Rating:
The New Yorker - Arts and Culture (Free subscription) | 09/07/2009
paragraph class="noindent"> On the seventieth anniversary of the theatrical release of two all-time classics, Warner Home Video is releasing sumptuous new editions of “Gone with the Wind” (Nov. 17)—a five-disk package—and “The Wizard of Oz” (Sept. 29), both directed . . .
Out 1 (Free subscription) | 09/03/2009
by Brandon Colvin Critics, audiences, and QT himself have been locked in a nice, hot argument about Inglourious Basterds for weeks now. Punchy quotes, accusations, and defenses are flying like hurled Nazi scalps. Some of the least eloquent of these come from some of my favorite writers, and even Tarantino seems to dig himself a few holes in professing his love of this 70s revenge film or that unseen...
Only The Cinema (Free subscription) | 09/01/2009
It's an irreverent, silly, lightweight World War II comedy/thriller that plays fast and loose with historical facts, including having some fun at Hitler's expense, with a grand climax at a theater, where actors mingle among the Nazi elites. And no, it's not Quentin Tarantino's Inglourious Basterds . (Though, as promised, more on that tomorrow at The House Next Door .) It's Ernst Lubitsch's To Be Or...
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