Jean Renoir's 1939 masterpiece follows the amorous exploits of a group of aristocrats invited to a hunting party at a French château. Their hectic intrigues find an uncanny echo in the affairs of their servants, upstairs and downstairs comically crossing paths on the way to a tragic conclusion...
Culture Warrior Landon Palmer, Foreign Objects specialist Rob Hunter and Dr. Cole Abaius take on the concept of slow films, and how they don't always have to be boring.
Céline and Julie Go Boating (1974) .. Jacques Rivette Gertrud (1964) .. Carl Theodor Dreyer The Green Ray (1986) .. Eric Rohmer Chimes at Midnight (1965) .. Orson Welles Early Summer (1951) .. Yasujiro Ozu Late Spring (1949) .. Yasujiro Ozu Sans Soleil (1983) .. Chris Marker L'Atalante (1934) .. Jean Vigo The Spirit of the Beehive (1973) .. Victor Erice Au Hasard Balthazar (1966) .. Robert Bresson...
L'Atalante (1934) .. Jean Vigo The Spirit of the Beehive (1973) .. Victor Erice Au Hasard Balthazar (1966) .. Robert Bresson Tokyo Story (1953) .. Yasujiro Ozu Man with a Movie Camera (1929) .. Dziga Vertov La Règle du Jeu (1939) .. Jean Renoir Playtime (1967) .. Jacques Tati L'Avventura (1960) .. Michelangelo Antonioni Sunrise (1927) .. F.W. Murnau The Conformist (1970) .. Bernardo Bertolucci...
Although its location inside the Forum des Halles is not the most desirable, Forum des Images is the gem of this underground maze. Nowhere else will you find such an enormously varied film agenda including 1920s silent film, contemporary art house cinema and everything in between. There is a strong emphasis on the French cinema tradition with regular [...]
David Britain writing for VINGT Paris, photo courtesy of Forum des images. Although its location inside the Forum des Halles is not the most desirable, the Forum des Images is the gem of this underground maze. Nowhere else will you...
Film Festivals: Topper sees creative answers in global crises -- At a time when the world is going through a historic fiscal crisis, cinema has a key role to play, Thessaloniki fest director Despina Mouzaki says.
By Dan Callahan "I'm not an apparition," insists Delphine Seyrig in Truffaut's Stolen Kisses (1968), "I'm a woman." While we would like to give her the benefit of the doubt, there can be no denying that Seyrig is the most ghostly of actresses, haunting her own movies with a druggy, dazed quality over which she placed a severe intellectual patina. Something as simple as a different...
Recently, cinema has become one of my main passions. I'm gradually becoming more of a cinephile, but I'm still not all the way there, so this list is far from complete or definite. This list, I must make clear, is a personal selection from what I've encountered and what I've liked the most. Other directors I will be looking into this year are Ingmar Bergman, Tarkovsky, Jean Renoir, Sam Fuller, Eisenstein,...
There is a commonly held assumption that the Nouvelle Vague (New Wave) movement was a left-wing, politically-charged attempt to destroy the film-making establishment and re-write the rules of Cinema for a new generation – a sort of cinematic punk rock, if you like. It is easy to deduce, from the protagonists’ involvement in the [...]
France Feature Film Original Title: Le crime de Monsieur Lange Director: Jean Renoir Writers: Jean Renoir, Jacques Prévert, Jean Castanyer Cinematographer: Jean Bachelet Composers: Joseph Kosma, Jean Wiener Cast: René Lefèvre, Florelle, Jules Berry, Marcel Lévesque, Odette Talazac, Henri Guisol, Maurice Baquet, J.B. Brunius A workers cooperative revives a flagging publishing...
"I'm playing the part of a little old lady," says Agnés Varda, walking backwards against the sunset on one of the many beaches to feature in her latest, autobiographical film, Les Plages D'Agnés. I wonder what part she is playing for me today as she bumbles about the offices of her U.K. distributers, Artificial Eye, poking into different rooms, smiling amiably. "I'm not...
Swoon. Is it just me, or was last night’s episode GREAT ? All in one hour of television, we got a crazy Tyra Banks cameo, the return of the “I’m Chuck Bass” line, references to Heart of Darkness , Jean Renoir’s World War II…