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Fin de Cinema (Free subscription) | 11/09/2009
The Squid and the Whale – dir. Noah Baumbach Though I’ve often heard Wes Anderson fans name Noah Baumbach as one of the reasons why The Life Aquatic with Steve Zissou failed to live up to his previous efforts, Baumbach’s solo endeavor The Squid and the Whale is one of the finer examples of the Sundance lot of American cinema in recent years. Unlike the films of Todd Solondz, the searing,...
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Top Stories from Newser (Free subscription) | 11/05/2009
With no public funding and credit lines frozen, American independent filmmakers are finding it tough to make a movie these days. “I mean if Osama bin Laden gave me money to film, I’d take it,” Todd Solondz tells Bloomberg . The financial crisis has heavily curbed bank financing, while hedge funds...
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The Guardian (Free subscription) | 11/04/2009
The results may be excellent, but should the offbeat director have been allowed to ride roughshod all over Roald Dahl's cherished tale? First of all, let's get one thing straight: Fantastic Mr Fox is a great Wes Anderson movie. It's sharper than The Darjeeling Limited, hangs together better than The Life Aquatic With Steve Zissou, and bears comparison to my favourite from the king of quirk, The Royal...
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The Daily Beast (Free subscription) | 11/02/2009
The Precious mastermind on how a hard-knock upbringing fueled his desire to make the film. The lure of movies-and their directors-is that they are always capable of surprising us. Lee Daniels made his directing debut in 2006 with a film called...
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The blog Film (Free subscription) | 10/29/2009
It looks like James Cameron is going for the tight-lipped PR approach for Avatar, and the Todd Solondz school of misanthropy might be supplying one of its finest graduates for the next Spider-Man villain I'm a sucker for getting caught up in the hype for big blockbuster sci-fi movies that know exactly how to market themselves in order to look like the coolest thing since Ripley took out the xenomorph...
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Get the Big Picture (Free subscription) | 10/23/2009
I have seen Todd Solondz' Happiness , so I can't picture character actor Dylan Baker as anything other than a pedophile who admits he's thought about having sex with his own son, but would stop short. Bleeehhhh. However, Baker recently confirmed he's back for Spider-Man 4 , which could mean he'll be playing a much more pleasant giant lizard. At a screening for Trick 'r Treat in New York City, Baker...
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24 FRAMES PER SECOND (Free subscription) | 10/22/2009
Life During Wartime Dir: Todd Solondz Cast: Alison Janney, Shirley Henderson, Ciaran Hinds, Christopher Marquette, Paul Reubens, Ally Sheedy Nobody could accuse Todd Solondz, the provoc-auteur behind Welcome to the Dollhouse , Happiness and Palindromes of making easy films. Life During Wartime is no exception. A cold, caustic, challenging film, it will likely split audiences right down the middle....
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Painfully Hip (Free subscription) | 10/21/2009
We received the following comment today: I’m loving the hair, & I was kinda shocked I found your lovely face in one of my town’s local bar’s flyers other than that I love reading your blog. keep it painfully hip -Denisse We, of course, knew nothing about this. And, Denisse, we’d really like to know the name of your town, so we can, perhaps have a go at the “sexual...
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Cinema Blend (Free subscription) | 10/21/2009
A slow year for the festival is rewarding in little pieces.
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Cinema Blend (Free subscription) | 10/21/2009
Slow fest year is rewarding in little pieces.
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Lessons of Darkness (Free subscription) | 10/20/2009
Todd Solondz’s Happiness was greeted with controversy upon its 1998 release thanks to its empathetic portrait of a suburban husband and father of three who has a deviant taste for young boys. Detached from the hubbub, however, it’s harder to...
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Frillr - It's the little frills tha (Free subscription) | 10/16/2009
032C MAGAZINE Winter 2009 . 2010 "Our knowledge of images is my material,” says artist THOMAS DEMAND in part of 032C MAGAZINE's 40-page Demand Dossier featuring interviews with filmmaker Todd Solondz, architect Adam Caruso, museum director Udo Kittelmann, and more; meanwhile Nike CEO MARK PARKER discusses creativity, commerce, and charity; Design Director at BMW ADRIAN VAN HOOYDONK tells...
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Times Online (Free subscription) | 10/16/2009
Charlotte Rampling has only one scene in her latest film, Life During Wartime, showing at The Times BFI London Film Festival. But, boy, what a scene. In Todd Solondz’s quasi-sequel to his 1998 indie hit Happiness she orchestrates a brutal car crash of a seduction between her character, the intimidating, viciously forthright Jacqueline, and Ciarán Hinds’s Bill, a convicted paedophile...
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24 FRAMES PER SECOND (Free subscription) | 10/15/2009
My London Film Festival starts tomorrow, so here's my final programme of screenings, along with dates that reviews will be posted. With 9 films this will be far and away the busiest year I've had at LFF. Hope you enjoy the coverage. 16/10 ENTER THE VOID (Gaspar Noe) DOGTOOTH (Yorgos Lanthimos) Reviews: 17/10 19/10 LIFE DURING WARTIME (Todd Solondz) Review: 21/10 20/10 MORPHIA (Alexei Balabanov) Review:...
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Variety.com (Free subscription) | 10/15/2009
International News: Festival to open on Nov. 7 with Coen bros. pic -- Argentina's Mar del Plata Film Festival, the only FIAPF Category A festival in Latin America, will open its 24th edition on Nov. 7 with Joel and Ethan Coen's "A Serious Man," playing out of competition.
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aida2ebdy | 09/26/2009
VENICE (Reuters) –Hard-hitting Israeli war movie "Lebanon" won the Golden Lion for best picture at the Venice film festival on Saturday. Director Samuel Maoz shot almost the entire drama, featuring graphic and disturbing scenes of violence, from inside a tank to communicate the claustrophobia and fear he experienced as a young Israeli conscript during the 1982 war. He was so traumatized by his memories...
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palomil5hy8 | 09/25/2009
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pramada02pqa | 09/24/2009
VENICE (Reuters) –Hard-hitting Israeli war movie "Lebanon" won the Golden Lion for best picture at the Venice film festival on Saturday. Director Samuel Maoz shot almost the entire drama, featuring graphic and disturbing scenes of violence, from inside a tank to communicate the claustrophobia and fear he experienced as a young Israeli conscript during the 1982 war. He was so traumatized by his memories...