San Francisco Opera's fall season was so satisfying on artistic level that it seemed almost impossible that David Gockley could continue the company's string of successes all the way through to the end. And he hasn't. While the current Otello isn't nearly the disaster that last visited the stage of the War Memorial Opera House, there isn't much to recommend it unless you want to listen to it with your...
It's been a long time since I've had postpartum issues with big performances. Since I've made the switch from student musician to professional musician some years ago, I've been able put away the music of a concert and move on to the next project without too much of a thought of what I just did. However, after this past weekend's Verdi Requiem performance, I found it quite difficult to let it go. It...
Concerto Italiano: San Francisco Opera Music Director Nicola Luisotti leads the Opera Orchestra in music of Pergolesi, Rossini and Verdi to benefit the Museo Italo-Americano. 7 p.m. Saturday, Herbst Theatre, San Francisco. $30-$100, (415) 864-3330,...
Historical headliners, rival queens and a triumphal march. Join Blog Reviewer Paul Williamson to explore some of the historical events which have inspired operas by Handel, Donizetti and Verdi. As well we celebrate the birthday of a gay English composer and a regal Australian soprano. We hear from Warracknabeal's most famous son, and we're hoping Dan Vo will phone in from Brisbane to tell us
Antonio Ghislanzoni (libretto), based on a French scenario by Auguste Mariette, Giuseppe Verdi (composer) Aida / the production I saw was the Metropolitan Opera live HD, in encore on Thursday, November 12, 2009 One of the aspects of Aida that interviewer, singer Renée Fleming suggested several times in the intermissions of Verdi's great opera was that, despite the huge size of the cast, except...
I posted last week about my meeting with PYP Maestro, David Hattner. Our meeting left me excited that I would be attending the opening concert of their season on Saturday evening (the first concert of the PYP I have ever attended) but really nothing prepared me for the experience I actually had. I am not going to try to write a reasoned review of the concert but I would like to share with you some...
My life, as reflected in these posts, has been very Glass/ Orphée centric over the last month. For me it has been a time of searching and discovery, of excitement, and of joy at making new friends. And now, it's over. There would be a sense of let-down were it not for the fact that I have found a new enthusiasm for opera. My dear friend Lea was upbraiding me recently when I was grumbling about...
Review: Gustavo Dudamel conducts the Los Angeles Philharmonic in two unfinished symphonies by Schubert, one completed by Berio. The Orange County Register, Nov. 11, 2009. SEE SLIDE SHOW A week after raising the roof of Walt Disney Concert Hall with a powerful reading of Verdi’s Requiem, Gustavo Dudamel, still in demonstration mode as the new music [...]
Tenor Johan Botha is making "Otello" his signature role. SAN FRANCISCO There is a signature moment in Act 2 of Giuseppi Verdi's "Otello" in which the title character confronts his jealous demon and becomes one with it. It can be a throwaway moment, or it can cement the drama of this four-act operatic masterpiece. On Sunday afternoon in San Francisco's War Memorial...
Review. The Orange County Register, Nov. 6, 2009. Heretofore, Gustavo Dudamel, the Los Angeles Philharmonic’s new music director, has appeared with the orchestra for a week or two at a time. Thursday night marked the beginning of his most extended period with the group to date. He decided to open it with a real corker, a [...]
Plácido Domingo gives a sterling performance in Verdi's "Simon Boccanegra" in Berlin. In Stuttgart, Stefan Herheim's production of "Der Rosenkavalier" imagines the opera as an erotic fantasy.
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