Music Review | Boston Symphony Orchestra: A Return That Came Sooner, Not Later
New York Times (Free subscription) | 11/03/2009
As James Levine recovers from back surgery, Lorin Maazel led the Boston Symphony Orchestra at Carnegie Hall.
Charlie Rose with Gary Wills, Kevin Phillips & Jon Meacham; Lorin Maazel & James Conlon (April 14, 2006)
New York Times (Free subscription) | 11/03/2009
As James Levine recovers from back surgery, Lorin Maazel led the Boston Symphony Orchestra at Carnegie Hall.
ArtsJournal (Free subscription) | 10/27/2009
"Originally expected to return from back surgery last week, Levine will now miss the complete cycle of nine Beethoven symphonies that he had programmed and the BSO had promoted enthusiastically." Former New York Philharmonic music director Lorin Maazel will fill in for him at Symphony Hall and Carnegie Hall....
The New Yorker - Arts and Culture (Free subscription) | 10/12/2009
For two drowsy decades, the New York Philharmonic played it safe: a pair of grand-old-man music directors (Kurt Masur, Lorin Maazel), redundant festivals of canonical composers (Brahms, Tchaikovsky), the usual parade of soloists (when in doubt, Yo-Yo Ma). Attendance figures were generally good and finances mostly stable . . .
Ionarts (Free subscription) | 07/21/2009
(L to R) Jennifer Check (Lady Billows), Benjamin Bloomfield (Superintendent Budd), Ashleigh Semkiw (Miss Wordsworth), Tyler S. Nelson (Mr. Upfold), Alexander Tall (Mr. Gedge) in Albert Herring, Castleton Festival, 2009 (photo by Leslie Maazel)The first year of Lorin Maazel's Castleton Festival came to a close this weekend, meaning one last road trip to Rappahannock County for me to see the final
New York Times (Free subscription) | 07/14/2009
Some 200 young singers, instrumentalists, conductors and theatrical designers assembled for the first Castleton Festival at Lorin Maazel’s Virginia estate.
ArtsJournal (Free subscription) | 06/23/2009
"'It's not for me to assess whether or not I have lived up to the expectations that arise at the beginning of any music director's tenure,' he began. 'The orchestra I found had a problem with self-esteem. Their reputation was not what it should have been. So it became my goal to restore their belief in themselves. And I leave feeling that I've been quite successful.'"...
The New Yorker - Arts and Culture (Free subscription) | 06/22/2009
Lorin Maazel, who is completing his seventh and final season as the music director of the New York Philharmonic, leaves the ensemble in better shape than when he found it. The orchestra of virtuosos is more disciplined, more rich-toned, and, seemingly, happier. Maazel’s flair for clarity was evident when . . .