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PSJM acts as an trademark of happening art addressing issues of the artwork in the market, communication with consumers, or function as an artistic quality, using communication resources borrowed from capitalism of the spectacle to underscore the paradoxes produced by its unbridled development. Or how Karl Marx made me buy a blue Summer dress
Could we envision that one day surveillance technology will have a role in healthcare? Could it provide some help in the fight against obesity? What would then be the potential uses (misuses') of this data by others?
Banquete_nodos y redes presents more than 30 Spanish digital and interactive works that critically and creatively explore the notion of Network as a shared matrix, not just from a technological perspective but also from a socio-cultural perspective
Regine Debatty of we-make-money-not-art has written a short article illustrated with many photographs on the exhibition "Olivetti, una bella societa'", currently taking place in Turin, World Design Capital. Enjoy ...
This year Turin is the World Capital of Design, a title that the city is not holding with much panache. No critical design, no interaction design, nothing really progressive nor challenging either. Still, there's a couple of interesting exhibitions going on throughout the city. The one i visited on Thursday might actually be the best show about design i've seen in a long time
Some twenty music icons are brought together for the first time, not to give a concert but to present their visual works. This is not about a movement, but about artists who have all followed individual roads, approaching art and music with an undivided soul
Full-color publication of the complete Ant Farm Timeline, as well as Allegorical Time Warp: The Media Fallout (1969) and an archival dossier on Ant Farm's Truckstop Network (1970-1972)
Biophionitos generates artificial life using a system similar to the zoetrope, an early animation device that produces an illusion of action from a rapid succession of static pictures. Horacio González, Paola Guimerans and Igor González added to the old invention a touch of Processing and a whiff of Arduino
This eye(and ear)-catching bottle cannon is on display as part of the SUPERDOME exhibition @ the Palais de Tokyo in Paris. Regine from we make money not art shares details - Arcangelo Sassolino 's Afasia 1 is a nitrogen-powered sculpture that shoots empty beer bottles, those icons of rock culture, against a wall at 600km/hr inside a zoo-like metal cage. The shooting happens every few minutes. Meanwhile...
What does the little man on the emergency exit sign do when he’s not helping humans? “Signs of Life” is a witty animation installation created by Freddie Yauner that answers the question. Here is the explanation of how the interactive aspect of the project works. (via We Make Money Not Art) share
5 solo exhibitions balancing between entertainment and desolation, decibels and prayers, high-tech and chaos, as the continuation of a program testing the notion of the elasticity of art which started at the Palais de Tokyo with Five Billion Years
Brendan Walker is a thrill researcher. Originally trained as an aircraft engineer, he now specializes in death-defying experiences, screams and cold sweat, using performance art to find out what people feel on fairground rides and crashing planes.
An exhibition in Turin challenged 11 architectural studio to design a prison cell and from then on engage in a reflection about the prison system and its corollaries: the restriction of freedom, human rights, instruments of surveillance and control
We Make Money Not Art points us to this neat project displayed at the Royal College of Art Show, a playful take on typical exit signage. Designed by Freddie Yauner, a graduate of the… ... continue reading
