This is the first part of a two part series on the idea of “escapism” and “truth”. The idea for this came when I began to think of a “manifesto” made back in the 1940’s by EmericPressburger. Read on! QT will start looking into the films of two classic British film makers, Michael Powell and EmericPressburger, and if [...]
Today's Guardian reports that the BFI will hold an exhibition of paintings produced by German artist Hein Heckroth. Michael Powell and EmericPressburger formed one of the greatest partnerships in British cinema giving us such gems as A Matter of Life and Death, The Black Narcissus and perhaps their "Sistine Chapel" the Red Shoes. In advance of the release of a restored version...
... Boudu Saved from Drowning (1932) .. Jean Renoir A Canterbury Tale (1944) .. Michael Powell & EmericPressburger Alice in the Cities (1974) .. Wim Wenders The Colour of Pomegranates (1968) .. Sergei Paradjanov Strike (1925) .. Sergei M. Eisenstein The Young Girls of Rochefort (1967) .. Jacques Demy
Details of a staunch British army officer, his life through three wars and his inability to cope with constant change. CAST: Roger Livesey, Deborah Kerr, Anton Walbrook DIR: Michael Powell, EmericPressburger (1943)
... as I drew closer and closer to the cinema. And there it was on the marquee - Michael Powell & EmericPressburger's The Red Shoes . Lucky for me I had bought my ticket online the night before because as I entered the cinema the glaring, somewhat obnoxious sign read 7:00 show sold out. Shortly after this the even more obnoxious sign went up reading 9:45 show sold out. It was great...
Readers of Qt may be wondering if I have gone a bit bonkers, writing first about the entrapment of Pompey and then about escapism and EmericPressburger. But we might get a better perspective on entrapment and escapism from this excerpt from “The Music Man”. Here the main character is trying to frighten the citizens [...]
This is Part 2 of a Series on “Escapism” in Art. We started by taking a close look at a “manifesto” written by EmericPressburger back in the 1940’s. Here is a link to part 1. Pressburger made the claim that no artist believes in “escapism”. Instead, through subtlety artists coax their audiences to see the truth. But there seems to [...]...
Great Thought for the Day: “No artist believes in escapism. And we secretly believe that no audience does. We have proved, at any rate, that they will pay to see the truth, for no other reason than her nakedness.” --EmericPressburger
... in Medieval History. Maureen Dowd talks about the 1948 film The Red Shoes (Michael Powell & EmericPressburger) in the New York Times : There are many great works of art about obsession, from Heathcliff’s wailing to Ahab’s whaling, but this is surely the most gorgeously haunting. The destructive obsession portrayed here is not with a lover or outside object of desire....
Even in this age of Blu-Ray and appreciation for all things high-def, many take for granted how complicated but vital a great film restoration can be. Buzzed about at this year's Cannes Film Festival as one of the most miraculous to date is the UCLA Film & Television Archive's restoration of Michael Powell and EmericPressburger 's 1948 Technicolor masterpiece The Red Shoes , starring...